OT Patterns: The patterns play segments of 16 bars of the decks, with different positions in the different wav’s.

OT Scenes: the scenes blend between the inputs, e.g., Deck 1 only, Deck 1 lows and highs with Deck 2 mids, Deck 1 lows and mids with Deck 2 highs, etc pp.T7/T8 may be replaced with something else, but with two OT’s atm I have no need to save tracks. OT Track Setup: T1 - Deck 1 (HP/LP + DJ filter), T2 - Sampling/Remixing of T1, T3 - Deck 2 (HP/LP + DJ filter), T4 - Sampling/Remixing of T3, T5 - Deck 3 or Thru, T6 - Sampling of T5, T7 - Sampling of T8, T8 Master Track with a Filter and a Delay or Reverb.Cutting off audio after 128, 192 or 256 bars is a limitation of my current approach. Afterwards slice the trimmed track into 16, 24 or 32 slices. Set bpm in the attributes, set the start point, set the end point such that the length in bars shown in the display equals 128, 192 or 256 bars. Audio preparations: I currently do that in the tiny audio editor, which is much more efficient than it seems to be.The infos I just take from the infos displayed in Traktor (not always correct but a good starting point). When setting up the OT filename display with “begin only”, you see the 128c# in the display, which is the most important info. Example: 128c#_Name_TA3_Track.wav for a 128 bpm track in C# minor of artist Name, third track on album Test Album. Filename preparations: bpm, key (small for minor keys), artist name, album abbreviation, index on the album, track name.I think the OT’s morphing power is really unique for a DJ setup.

As the OT is so flexible though, there might be a lot of space for additional creativity on the OT. Out of curiosity, how do you set up the OT for DJing? If you don’t use the OT for DJing, maybe think about it with your OT knowledge - how would you set it up?

Changing bpm on wavelab 6